Vertigo Magazine - Vol. 3 No.6 Summer 2007

Vertigo Magazine - For Worldwide Independent Film

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Sample Articles

MAKERS: The More Desperate We Are, The More Hope There Is

SECOND RUN: Sisters Are Doing It for Themselves

INFLUENTIAL: Interior: Night

DOCUMENT: Fires Were Started

ANOTHER WAY OF SEEING: Pasolini and Sade: A Maleficent Obsession


Vol. 3 No.6 Summer 2007





STORIES OF THE EYE: C...	SPECULATIONS: Reality...	BEYOND THE FRAME: Son...
Why is Borderline being stopped at the British border?	Reflections on art and faith, mind and the world	Report from a Virtual Reality


	RECLAIMED: Turning to Dust By James Rose The Gothic Cinema of Philip Ridley


	SCENE AND HEARD: Faith in the Audiovisible By Catherine Lupton Into Great Silence and Devotional Cinema


	REVIEWED: Dreams of a Nation: On Palestinian Cinema By Sheila Whitaker Dreams of a Nation: On Palestinian Cinema. Edited by Hamid Dabashi; Preface by Edward Said


	REVIEWED: Atlas of Emotion: Journeys in Art, Architecture and Film Reviewed by Chris Darke Atlas of Emotion: Journeys in Art, Architecture and Film


	REVIEWED: The Future of the Image Reviewed by Chris Darke The Future of the Image


	OPEN SOURCE: Barton Aerodrome By Nicholas Royle From a work-in-process


	RECLAIMED: The Opened Hand By Graeme Hobbs Reflections on Artur Aristakisyan's Palms


	EXHIBITIONISM: Gardens in Autumn By Rob McCrae Georgian auteur Otar Iosseliani remains a genuine maverick of the movies


	LETTER FROM.....London By Stephen Barber and Jeremy Reed


	INFLUENTIAL: Filming the ‘unfilmable’ By Libby Saxton Thoughts on Shoah


	MANIFESTO: On Creativity Text chosen by Tereza Stehlíková.


	STORIES OF THE EYE: Kiss Kiss? Bang Bang? By Sarah Wood Elizabeth McAlpine’s Adventures in Cinema


	ROAD MOVIES: Once More, into the Zone … By Chris Darke Chris Marker looks back, in wonder


	SITE SPECIFIC: UbuWeb By James Norton The YouTube of the avant-garde


	MAKERS: The Mystery, as Always By James Norton Raúl Ruiz, Klimt and the Poetics of Cinema


	RIGHT TO REPLY: Simone Weil By Anat Pick Notes on a Timid Cinema


	AGENCY: In the Shell of the Ear By John Bradburn Listening to the School of Sound 2007


	SCENE AND HEARD: The Fragile Relations of Ecology By Janet Harbord A new British feature film by Sarah Turner reinvents narrative as an avant-garde form


	ART AND CRAFT: How Many Roads… By Holly Aylett Bringing the UNESCO Convention for Cultural Diversity to Life


	ART AND CRAFT: In Spite of Co-Production By Audrius Juzenas Surviving to Make Films in Lithuania


	MORTALITIES: We do everything for this art, but this art isn’t everything By George Clark and Redmond Entwistle Notes on Danièle Huillet and Jean Marie Straub


	INFLUENTIAL: Tait Modern By Gareth Evans Margaret Tait was one of the most distinctive artist film-makers these islands have produced


	CONDITION CRITICAL: Drive, He Said By Gareth Evans The allure of the open road finds its perfect driving partner in the cinema


	OVERVIEWED: Madness Contained By Brad Prager Werner Herzog’s return to the ‘scene of the crime’


	LOCATION, LOCATION: Londres, Bombay By Patrick Keiller Stations on the Journey


	FOCUS: A Dance to the Music of Time By Gareth Evans Béla Tarr’s 1994 epic Sátántango offers one of cinema’s most intense and rewarding experiences


	ANIMATED: Songs of Innocence and Experience By Gareth Evans William Blake’s radical experimentation with image and text is cinema itself


	STORIES OF THE EYE: Still / Moving By Gareth Evans Desire Paths in Dryden Goodwin’s Flight


	LETTER FROM....The Wild East By Sian Glaessner Soviet ‘western’ White Sun of the Desert still takes Russia by storm


	BEYOND THE FRAME: Gravity and Grace By Gareth Evans Don DeLillo’s Falling Man offers a profound fiction about the artesian truths of our time


	BEYOND THE FRAME: In the National Interest? By Gayatri Chatterjee Questions of Independence in Indian Cinema


	FOCUS: Beyond the Perimeter Fence By Gareth Evans Jay Griffiths’ Wild: an Elemental Journey lights a path towards fuller being in the world


	FOCUS: The Andrei Tarkovsky Companion By Gareth Evans A trinity of documentaries throw light and dark on the essential oeuvre


	DOCUMENT!: The Poetry of Commitment By Gareth Evans Two new essays in different media speak with optimism and honour to the need for continued, lyric engagement


	LONGSHOTS: Unbearable Lightness of a Moment By Tereza Stehlíková Impressions from Oberhausen and beyond


	FOCUS: Andrew Kötting’s Gallivant By Gareth Evans A unique journey through the moving image is properly celebrated on dvd


	LONGSHOTS: In Dreams Begin Responsibilities By Gareth Evans Work presented at the 53rd Oberhausen International Short Film Festival raises profound questions about the nature and role of the contemporary moving image


	EDITORIAL By Gareth Evans WHAT MATTERS: Meaning in the Moving Image


	FILMGRIMAGE: Witness Reports By Sophie Mayer and Lady Vervaine


	ATTENTION!: Here and Your Here By Anna Lucas


	STUDIO SPACE: The Feast Project By Christy Johnson and Catherine Clinger


	ANOTHER WAY OF SEEING: Strangeness of Seeing By Nichola Bruce


	ARTISTS' PAGES: Black Sun By Gary Tarn


	LOCATION, LOCATION: Londres, Bombay By Patrick Keiller